Is this pornography? Or Art? About the portrayal of sex in Lars von Trier’s’ Nymphomaniac 1 “one can argue well and academically. But that’s far from a conclusive story told from the movie.
Lars von Trier has started as a filmmaker and has landed in the puppet theater. That’s not bad. And yet tells a remarkable career for a man of very successful releases recent philosophers and suffering man of world cinema and in his new work “Nymphomaniac” now, as they say, unprecedented sharpness of the joys and sorrows of sexuality.
Now the first , 110 -minute half of the Work under the title ” Nymphomaniac 1″ in theaters – and the audience will notice how nice , enjoyable, and tears handkerchief user friendly this Passion is to see a beautiful woman yet . In this story it comes to the alleged or actual conflict between sex and love , what was discussed brutal profound during the Berlinale and in many feature articles .
Viewers will also be noted that in this instructive story suffering people not play the main role , but – with some beautiful bodies ausstaffierte – Figures wriggling on the threads of their director and shout .
As in a haunted children’s story can be seen at the beginning of ” Nymphomaniac 1″ the nice grandpa Seligman , played by Stellan Skarsgård in a snowy backyard a battered woman named Joe find in the cinema fans effortlessly Actress Charlotte Gainsbourg recognize . And like a fairy tale it goes on, if the woman chooses the grandpa in the warm room to the confessor. Review sequence for rear-view sequence depicts the rescued from the slush Joe now the stations of their sexual insatiability .
Lars von Trier’s’ Nymphomaniac 1 “:Sensationally beautiful sexual
One sees the woman as a seven year old child who isolates himself from peers, and they are seen as quite distraught teenager, now thin and pale and beautifully played by actress Stacy Martin. The girl looks at Joe all suffering always irritatingly cheerful bargain, for example, while the car plumber Jérôme (Shia LaBeouf) necessitates their defloration. Soon she falls with a friend here practically all the male passengers of a train order to find out who it brings both during the short journey to more sexual partners.
It’s about desire, guilt , sin, and of course to salvation in ” Nymphomaniac 1″ to drive traffic jams and emergency satisfaction in times of globalized sex industry, already clear. There are quite textbook- formed sentences in which the is taken . “In the Adult is about to say yes ,” says Charlotte Gainsbourg as battered penitent Joe once , about the love she muses : ” In a hundred crimes that are committed in the name of love, just a crime comes in the name of pleasure. ” But much more important than such sayings should of course be what tell us the images of the film from all these yes- Sagerei and auto insurance addiction.
” Nymphomaniac 1″ indicates pretty erect penises and graceful swollen labia, which were allegedly contributed by porn professionals as body doubles. And while the young actress Stacy Martin on Männerschößen gasps and pants rubbing against slots , one marvels at the scientific thoroughness , so to speak , are presented with the various types of Vögelns here . Von Trier has therefore provides no pornography, have some male and female critics claimed that because the film they who have not made critics hot. It sounds bizarre but confessors way . We formulate it rather as ” Nymphomaniac 1″ shows the sexual sometimes very hideous, but often also sensationally beautiful.
Von Trier was born in 1956, is unfortunately only too caught up in his private but rather creative madness, as that of his experimental arrangement really great cinema could be. It may be that the man is a depressive, may be that he selbstvermarktet as suffering August; may be that he thinks very stupid or very clever idea. It does not matter. The viewer can do that, contrary to many biografistischer Herumdeuteleien, be could not care less. In the cinema is the truth on the canvas.
Lars von Trier’s’ Nymphomaniac 1 “:Milky Tristesse
In the cinema, however, is “Nymphomaniac” noisily entertaining and shocking tension. In this story, the alleged reports of lust and pursuit of happiness, there is the dramaturgy of the hurdy-gurdy. Whether this really is the subject, because even with de Sade, the serial misery bugged all Rumgefickes, is an academic question. The fact is that only the emergence of Uma Thurman as a roaring betrayed family mom and the re-emergence of Jerome, who has Joe once deflowered, short times bring life into the Passion Play. Sometimes wummert the music of the notorious brute bolts of Rammstein, so that we will not bland.
The director von Trier has the cinema once ” The Waves Breaking ” if not revolutionized in films such as ” Element of Crime ” and , yet renewed intoxicating – by populated it with ghosts and light shapes, pictures of horror and pain visions , as you never seen before had .
Since then, he has , under what influences whatsoever, transformed into a disciplinarian whose images have long emphasized simple and sloppy illustrations are sketched . This can be heroize as a conscious decision or find given the dreariness of milky Send ” Nymphomaniac ” and just sad .
In addition, the contemporary theater you do sincerely wrong when you called von Trier’s films as a theater work . In the theater you can see, even in not so successful performances, always living people on stage. In von Trier’s screen you see is pretty puppets nowadays. In ” Nymphomaniac 2 ” , which should come in two months in theaters , it will give them a little fare worse than the first part.
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